Showing posts with label Janelle Asselin. Show all posts
Showing posts with label Janelle Asselin. Show all posts

Monday, November 19, 2012

Geekier Than Thou



When I was younger, I really liked punk music, and I wanted to know more about the punk scene.  I didn’t have a chance to learn much in my small, quiet Midwestern town, but when I went to college, suddenly there was a much broader world open to me.  I made a couple friends who were punks, and they invited me to some shows.  I went to those shows, and then I never went back.  I kept listening to the music, but the mean looks and rude treatment from scenesters who thought I was beneath them because I didn’t dress a certain way and couldn’t answer questions about zillions of obscure punk bands alienated me permanently.  I didn’t go to another truly punk show for a very long time.  I wasn’t (and still am not) interested in pretending to be something I’m not just to fit in with an elitist group of people who think that only if you conform to their standards of the scene can you be one of them. 

This is why the idea of excoriating “fake” geeks makes me so angry.  The desire for everyone in your scene to like exactly the things you like and to present themselves ONLY in exactly the ways you prefer is exclusionary and, frankly, ridiculous.  The comics industry needs as much new blood as possible, and if you don’t like what those other people create or read, then you don’t have to look at it or hang out with them.  Without new blood, the industry will die.  This is not me being alarmist.   The traditional comic geek is growing old and will eventually be gone.  That doesn’t mean those people aren’t worth keeping.  But it does mean that the comic industry as a whole needs to encourage demographic diversity.  Women, children, people of color, and LGBT folks are all groups that need to be better served by the comic industry as a whole - and welcoming those groups with open arms can do nothing but good things for the industry.  Excluding them, however, means that our industry continues to dwindle.  People will only stick around for so long when they are being made to feel unwelcome and less than everyone else in a scene.  Diversity doesn’t make your interest less YOURS and it doesn’t make you unwelcome.  It just brings in new people for you to talk to about your interests and learn about their interests and makes you a more well-rounded person.

That’s how I feel about cosplayers.  Cosplaying is not really my thing.  I usually dress as something nerdy for Halloween, in a way that at a con would be considered cosplaying, I suppose.  I’ve been Black Canary, Catwoman, and Silk Spectre I.  Those costumes may be revealing, but I wore every single one of them because I was interested in the character (Black Canary in particular was my favorite because she’s my favorite DC heroine). But when it comes to dressing up for cons, I’d rather not.  I was in a cosplay group last year where I dressed as a female version of the 9th Doctor.  Putting together the costume was fun, and meeting a bunch of other women who were also really into Doctor Who was great.  But at the end of the day, I don’t go to cons to cosplay.  I go to cons to work – to meet creators, check out what folks are doing, do meetings, etc. – and being in costume is not really conducive to that, most of the time (because of my own discomfort with being professional in costume, not because I don’t think anyone should do it). 

So it’s not my thing – but I LOVE seeing cosplayers.  Above all, I love seeing people dressed as characters from things I’m working on, whether they’re huge fans or just love the aesthetic.  It doesn’t matter to me if they’ve bought every issue or watched every episode or know the entire history of the character.  It takes enthusiasm to put on a costume, and that enthusiasm is valuable to the comics industry, because that enthusiasm can be broadened.  Someone who digs the aesthetic of a character, whether they know anything about them at all or not, can be encouraged to get to know more about that character by a welcoming industry, NOT by an industry that tells them they are worthless because they don’t already know everything.  And anyone who has talked to cosplayers knows that almost all of them put a lot of blood, sweat, and tears into their costumes – and 100% of the time in my experience, it’s because they love the character they’re dressing as.  That is passion we as an industry should be welcoming, regardless of their interests. 

Oh, you like that manga?  Have you seen this amazing comic by so-and-so? It’s super rad.

Oh, you wore that costume cuz it looks cool?  Did you know that character kicked major ass in this miniseries?  It’s awesome. 

What’s so hard about that?  Cosplayers’ passion does nothing to harm the industry at all.   

But no matter how you slice it, sexism harms comics as an industry and us as a community.  I have yet to read any blog post or Facebook tirade about those awful fake geek guys that are ruining comics.  It’s clear that for many of the people who fear fake geeks, that fear is focused on women.  Maybe it’s because some women teased them about their interests when they were younger, and they see attractive women who don’t seem to be “real” geeks as a threat.  I get that we all have our scars.  But judging strangers based on their appearances and your assumptions about what a geek should look like is no better than other people excluding you because they think you look like a geek.  The next time you meet someone who your geekdar is telling you is not a “real” geek – take a second to think about what that says about you and to think about ways you can both converse to enhance your geek experience.  Because the best part of geek culture is that we as a community LOVE to talk about what we love – and we don’t all have to love exactly the same parts of being a geek. 

Yes, There's Been A Hiatus . . .

But hang on.  Janelle's on her way.


Wednesday, February 22, 2012

What It Feels Like For A Girl (In Comics) Part 2 by Janelle Asselin

Welcome to part 2 of “What It Feels Like For a Girl (In Comics),” my sharing of anecdotes about how we ladies experience the industry.  In Part 1 you heard about some of my experiences, and now it’s time for you to hear from other women in the industry.  Some of these are pulled from the survey I did as part of my thesis while others I solicited from a variety of women in the industry.  All of them are anonymous, which means in some cases, you’re hearing stories that these women wouldn’t ordinarily tell.

· I was a comics critic several years ago, and in a comic-book shop for an event. When I went up to the counter with my purchases, the clerk remarked that I had extraordinary taste for a girl. I didn't want to tell him anything about myself, so I took it as a compliment, although it was an extremely back-handed one, and deeply insulting. He continued, however, to remark, loudly that I had really good taste and that he knew how hard it was for girls in comics. Of course he was flirting, but he did not also realize that he was being pedantic, protective, and silencing in an attempt to be charming and supportive. Then he suggested I look up my own work, as a critic, if I were interested in women in comics. 

· I worked in a comic book store for 7 years and there were many male customers who refused to listen to my suggestions and could not believe that I would know anything about comics.

· Once when my boyfriend and I were babysitting his 9-year old niece and two older nephews, we decided to take them to our LCS. We were pretty excited to share our interests with the kids and just maybe get them interested too. The boys wandered off to look at toys and the niece, an avid reader, made a beeline for the week's comics. But my excitement quickly turned to dismay, because we couldn't find a comic that was both interesting to her and safe for her to read. "What about this one?" she asked, holding up a comic with Little Red Riding Hood on the cover--she knows what she likes, and fantasy and fairy tales are her favorites. "Nooo," I said, "I don't think so." I flipped through and my impression from the cover--that this was a T&A comic--was confirmed by the interior pages. She asked why not, and I know she's a smart kid, so I explained that I could tell by the way the girls on the cover were drawn, with big boobs and broken backs and tiny clothes. Just in case she ever goes to a comics shop with her mom, I want her to know what to look for and what to avoid. We grabbed a copy of Batgirl instead.

Monday, February 20, 2012

What It Feels Like For A Girl (In Comics) by Janelle Asselin

Janelle Asselin pretty much rocks.  Best Shots crew member and a co-host of Shots in the Dark, Janelle went on to be an Assistant Editor at Fangoria Comic, an Assistant then Associate Editor at DC Comics, and a Magazine Editor at Disney (for their Marvel kids' line).  Troy and Matt swear that she's one of the best editors around, especially since she worked on "Short Straw".  Janelle recently completed her Master's Thesis, which she'll soon be turning into a book.  Her particular interest lies in the different ways that women participate in and are represented by the comic book industry.

What It Feels Like For A Girl (In Comics) by Janelle Asselin

Sarah Jaffe and Janelle Asselin, Chicago 2008.  You're welcome.

Every person who loves comics has a different experience.   We all have different opinions on where the value is in the industry – is it in the graphic novels that do well beyond our industry’s borders or is it in the superhero books the industry is known for?  My favorite characters are not your favorite characters and if we were those kinds of people we’d probably fight about it on the internet (and maybe I’ve even done that in my younger days).

Within this geeky stew we call comics are the subset of geek ladies.  We are probably rarely what you would expect.  Stereotypes need not apply.  We are young, old, curvy, thin, girly, tomboyish…you name it, you’ll find a geek gal like that.  I think that’s easy for people to forget.  Just like the men in the industry are not all like the Comic Book Guy from the Simpsons, neither are women in the industry exactly what you’d expect.  And while the fight rages on for equality and acceptance for my gender in comics and beyond, we are also often blessed and cursed with experiences that male geeks will never encounter. 

So here are some of my favorite and least favorite moments of being a geek woman, so that those of you who may never know what it’s like to be one can maybe spend a minute walking in my shoes.  In part 2, you’ll get to hear from geek women all across the industry who wanted to share THEIR geek experiences with you (anonymously, no less, so expect some scandalous revelations.  That’s probably not true, but who knows what will happen when it’s anonymous?!).  Take a minute and keep an open mind.

Sunday, February 19, 2012

Shotgun Reviews: A Welcome

Shotgun Reviews:  A Welcome

I can hear it now.  Some of you are saying, “How the hell did I get here?”  Some are saying, “Why does Sparkshooter link here?”  And others are saying, “Not this shit again.”  Well, those are all fair points I suppose.  Whatever the reason, whether you remember or whether you’re new, welcome to ShotgunReviews.com.

Who the Hell are These People?

My name is Troy Brownfield.  In 1998, after several years writing for my high school and college papers, booking a ton of musical festivals and one-off shows, and getting a job in Indianapolis, I started writing for Comic Kingdom, the website of my friend Nick Jankowski.  I put together two columns: The Big Question, which was an interview column wherein the subject would answer only one, frequently complex, question.  The other column was based on one of my regular college paper concepts.  I called it Shotgun Reviews because it spread out and covered a wide area.  I usually would throw in a movie, a comic, and a CD, maybe a TV show or something else.  As things kept rolling, I thought that maybe I should just put together my own site, maybe with the aim of giving other aspiring writers a house.

Troy and Shawn in 2004
In June 1999, with the help of original webmaster Shawn Delaney, that’s exactly what I did.  And really, it went pretty well.  The site kind of took off, more or less, and before we knew it, we were putting up booths at Wizard World shows, getting quoted on things like volumes of “Dragonball Z”, doing radio and TV appearances (ah, the great Jordana Green crowning) and generally having a great freaking time.

One of the great things about the site was the flexibility it gave everyone.  If you were into something, you could build on it.  Russ branched out and became the ring announcer for WCWO in Indianapolis.  Jonathan Birdsong and Oseye Boyd put together a great crew of reviewers in the Lyrical Lounge section.  Shawn, always a musician, played in local bands like The Shivers and Samsell, and I brought back my old booking skills by having the site sponsor or host package shows with Indy indie bands.  And that was just the tip.

My own writing stretched out, and I started contributing to places like Comicon.com’s The Pulse and Newtype USA magazine.  I wound up writing for Newtype more or less after meeting Ken Wiatrek of ADV in Chicago, and he was one of the forces behind my becoming acquainted with Corey Henson.  Corey was one of the early “second wave” Shotgun gang, along with The Rev. OJ Flow, whom I first “met” (along with Jim Beard) on the DC Direct boards at DCComics.com.  OJ and Corey would soon join me in another crazy endeavor.